Hans Wilschut Fotografie

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Deviation

2009 Istanbul archival print/dibond/white frame 70.8-48.8 inches, (edition 5 + 2 a.p.)

Cut Off

2009 Cape Town archival print/dibond/white frame 47.6-59 inches, (edition 5 + 2 a.p.)

Fractals

2009 Lagos ilfochrome/perspex/dibond/plexframe l:48.2-67 inches, (edition 5 + 2 a.p.) s:22.8-31.5 inches, (edition 5 + 2 a.p.)

Stain

2009 Lagos archival print/dibond/white frame 46.7-59 inches, (edition 5 + 2 a.p.)

Portrait

2009 Shanghai archival print/dibond/white frame 48-78.7 inches, (edition 5 + 2 a.p.)

Ramp

2009 Lagos endura/perspex/dibond/plexframe 70.8-92.5 inches, (edition 5 + 2 a.p.)

Street

2009 Shanghai archival print/dibond/white frame 59-48.8 inches, (edition 5 + 2 a.p.)

Alley

2009 Istanbul ilfochrome/perspex/dibond/plexframe 63-47.6 inches, (edition 5 + 2 a.p.)

Relocation

2009 Johannesburg endura/perspex/diasec matte/dibond/plexframe xl:70.8-88 inches, (edition 5 + 2 a.p.) l:59-47.5 inches, (edition 5 + 2 a.p.) s:29.5-23.8 inches, (edition 5)

From clock time to internal time | David Stroband

For Hans Wilschut looking is a critical undertaking. He cannot be simply labelled an observer. He focuses on those elements that guide how we view the world. For many years ...